Alpana
Alpana, a kind of Rangoli used in Bengal, is a natural depiction of the people's creative sensibilities. The art form, which is typically practised by the state's womenfolk, represents a synthesis of previous experience and current designs. Even if the core ideas are similar, new forms and colours are being experimented with on a big scale. The shifting moods of the seasons are also mirrored in India's Alpana designs. The designs are created with a little piece of fabric soaked in a powdered rice mixture.
Making Alpana patterns is one of the rituals associated with the several vratas (fasts) performed by Hindu women in Bengal. They decorate the entire home and paint the floor with Alpana art, sketching motifs passed down from generation to generation. Bengalis also utilise the Circular Alpana as a holy pedestal when worshipping a god, particularly during Lakshmi Puja. There are two distinct variations of the term 'Alpana.' According to one interpretation, it derives from the Sanskrit term 'Alimpana,' which means 'to plaster with' or 'to coat with.' The alternative form derives from the term 'Alipana,' which means "the skill of creating ails or embankments."
Origin of Alpana
The Alpana art form's origins are difficult to pinpoint. According to some scholars, the vratas with which Alpana is related date back to pre-Aryan times. This art style is supposed to have been passed down to future generations by ascetics who lived in the land before the Aryans. Alpana paintings are also mentioned in depth in subsequent works such as Kajalrekha. All of Bengal's ceremonial and traditional folk arts, including Alpana, are thought to have been employed by the region's agricultural inhabitants to drive off bad spirits. Alpana has been utilised for religious and ceremonial purposes for centuries and is often performed on the floor..
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